As far as I can tell from reading media coverage, the show is even less organized than it was before. The Season Finale, which airs tonight at 8/7c on FOX, holds absolutely nothing to make me even consider watching it. With the show’s main premise long gone, I have no reason to tune in. I know that it’s just a popcorn drama that’s supposed to be ridiculous, but I don’t think that excuse can make up for its second season. T-Bag has turned into a parody of itself, characters are dying without any real impact, and there’s no longer any characters to really care about. The show is currently aimless at the end of season one they had an entire world in front of them, and it is becoming increasingly clear that such openness was deadly to the show’s key themes.
Watching prison break season 1 trial#
Now, these people are traipsing after money, and then ending up in Panama as some go on trial and others just roam around randomly running into the other inmates? It was about characters we related to, in situations we understood, and for a common goal which made sense. It was about people in close quarters, interacting with one another on a daily basis. The problem with these conspiracies is that they’re inherently uninteresting in comparison to the first season. However, even any chance of true character development was lost when he became the victim of the conspiracy at the centre of the season. Mahone was a silly character to begin with, because he was far too good at catching up to Scofield it was inhuman, and no silly skeleton in the backyard is going to humanize someone who seems to be an android. The most frustrating part of the first season, the political conspiracy, all of a sudden became the show’s focal point. However, it is at this point that the season began to spiral into something far too convoluted, far too contrived, and in general just far too uninteresting. The introduction of Mahone gave great potential for Fugitive-style interactions, and cutting off T-Bag’s hand certainly had the potential for campy goodness. They had broken out of prison, fulfilling my initial interest in the show, so the decisions made by producers at this point would make or break my future viewership.Īnd, to be honest, the second season premiere set a positive course. They were literally running off into the woods, their plane plan ruined, with seemingly nowhere to go. It was with great apprehension that I viewed the show’s first season finale, for it left things ever so open for the second season. And yet, I stuck through until the very end. Said bad times included the entire conspiracy plot, the constant near escapes foiled by unexpected roadblock construct, and in general a lack of originality. There were other redeeming elements (Michaels’ relationship with the Warden, with Tancredi), but on the whole those two pillars got me through the bad times. His interactions with Abruzzi and Michael and everyone else were a true highlights of the show, and it kept things interesting while they spent time in the clink.Īnd, through the first season, these two elements were enough to keep me watching.
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Second, I enjoyed Robert Knoepper’s portrayal of T-Bag, one of the most delightful TV villains in quite some time. Plus, whether it was far-fetched or not, the entire escape plan was uniquely compelling. First, the premise itself held a great deal of promise while other shows have featured prison dynamics in a grittier sense (‘Oz’), Prison Break was its network equivalent. No, it was rather two elements which intrigued me. It wasn’t Dominic Purcell (Lincoln Burroughs), whose character lacked any real motivation. It wasn’t star Wentworth Miller (Michael Scofield), who can’t act to save his life. Tuning in, I found that there was something oddly compelling about the show. As someone who tends to watch the opening episodes to any show, I found Prison Break to be quite an intriguing premise. It was the summer of 2005, and the most buzz-worthy show of the year was Fox’s gritty new drama ‘Prison Break.’ Debuting in August, the show garnered fairly substantial audiences for the period and became a success for FOX on Monday nights.